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General Editor: James Sanderson  
cantata (kan tàa ta)
early 18th century. Via Italian from Latin, the feminine past participle of cantare 'to sing' (source of English cant, chant, and incantation), from canere 'to sing'.
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Francesco Mancini
Daliso anima mia
soprano & continuo
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Quel vago seno
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CATALOGUE

CANTATE DA CAMERA
WITH OBLIGATO
WITH VIOLINS
CANTATE SPIRITUALE
DUETTI DA CAMERA
ARIA - SONG
           
         
SOLO MOTETS
SALVE REGINA etc
OTHER LITURGICAL

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TODAY'S RECOMMENDATION

Alessandro Scarlatti
Non lasciar canora e bella for soprano & continuo
Editor: James Sanderson
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Price: £4.95 | save 20% with PDF delivery
Charting the progress of the Swallow (Rondinella) from the Arno to the Tebro at the end of the Summer's heat, with some beautiful word painting (including fluting bird-song) and some quite stunning recitative - AS at his best in another of the 1704 cantatas. In ARARA format, starting with a gentle Siciliano, an Allegro in cut common time is the middle aria and the final aria is a lively 3/8. Source: Münster Santini Sammlung 3907 Range: d - g'

DUETTI DA CAMERA...


Giovanni Bononcini
Luci barbare spietate: soprano, alto & continuo
O penosa lontananza: soprano, bass & continuo
Pietoso nume arcier: 2 altos & continuo

Francesco Mancini
Dori, e Mirtillo: soprano, alto & continuo

Domenico Scarlatti
Fille e Clori: Se per un sol momento: 2 sopranos & continuo
Tirsi Caro: 2 sopranos & continuo

Alessandro Scarlatti
Clori e Lisa: Lisa, del fuoco mio ti vuò mostrar l’ardore: 2 sopranos & continuo
Clori e Mirtillo: soprano, alto & continuo
Floro e Tirsi (Ahi che sará di me?): 2 sopranos & continuo
La Primavera: Clori e Lidia Compagne: 2 sopranos & continuo
Marc Antonio e Cleopatra: soprano, alto & continuo
Nò non ti voglio Cupido: soprano, alto & continuo
Tirsi e Clori (O come bello): 2 sopranos & continuo

Agostino Steffani
Lungi dal Idol mio: soprano, alto & continuo

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